Publications

Bringing together memory studies with the emerging field of contradiction studies, in this article, I suggest the need for an alternative way of thinking about collective memory by juxtaposing the ideal of wholeness that necessarily underlies any group’s identity with that of the inevitable contradiction of the plurivers. I discuss the power of the Western narrative order in regard to the Haitian Revolution and examples of mnemonic disharmony in contemporary Germany and seek to illuminate the epistemic violence constitutive of this narrative order. The article therefore interrogates memory study’s epistemological foundation and the practices in which these underpinnings result. The aim is to highlight the potential of contradiction in an attempt to pluriversify responses to the past as well as future visions for the worlds we live in. Special attention is paid to the question of what it is we hope for when attempting to (scholarly) contribute to making collective memory more inclusive, and where the limitations of this might lie. The purpose of my contribution, then, is to explore the tacit imperative of harmony that often remains unchallenged in memory studies, and to propose a shift in focus, from the ways in which memory might help us understand (e.g., current clashes of identities), toward a research agenda that is considerate of its own entanglements with power, yet, at the same time, lives up to its potential to contribute to transformation.

This article examines the agency and incentives that drive the activism of diasporic political influencers on “Facebook Malawi,” an online imagined political community. In their seminal work on “social media dissidents” and “social media self-made activists” in the Global South, Matsilele and Sharra demonstrate that social media activists engage with different strategies to initiate movements, mobilize citizens, and create their brands in strong opposition to authoritarian regimes which repositions them as freedom fighters in the eyes of the masses and enemies of the state. Correspondingly, we frame diasporic political influencers as actors aided by digital technologies who engage in “long-distance nationalism” on Facebook against authoritarianism in the homeland. We deploy a qualitative mixed methods approach to analyze Facebook data of two diasporic political influencers, Onjezani Kenani and Manes Winnie Hale, who gave informed consent to use their Facebook data generated in 2018 and 2021, a period preceding and following the 2019 Malawi tripartite elections. A thematic analysis of 250 Facebook posts and interview data with the two influencers illustrates how they exercise their agency in their quest for a vision of a better Malawi while navigating a complex and ambivalent web of online and offline threats, incentives, and interests. Implicated in the political communication and mobilization of the two are different strategies that include verbal inventiveness, trolling, and exposing. The article also shows how the concept of long-distance nationalism needs to be adapted in studying diasporic political influencers.

“Contradiction” is a core concept in the humanities and the social sciences. Beside the classical ideas of logical or dialectical contradiction, instances of “lived” contradiction and strategies of coping with it are objects of this study. Contradiction Studies discuss the many ways in which explicit or implicit contradictions are negotiated in different political or cultural settings. This volume collects articles that tackle the concept of contradiction, practices of contradicting and lived contradictions from a number of relevant perspectives and assembles contributions from linguistics, literary studies, philosophy, political science, and media studies.

In the face of growing populism and right-wing radicalism, the fight against historical forgetfulness in thought and action is once again highly topical. At first glance, however, historical forgetfulness – at least in relation to the pre-modern era – hardly seems to exist: The Middle Ages, Renaissance and early modern period are experiencing a boom in novels, dramas and popular media. But here in particular, there is an urgent need for an active response to simplifications, mythifications and falsifications. The contributors to this volume show that it is essential for a critical consciousness to be aware of historical difference and media filters and to reflect on their effects. In the face of growing populism and right-wing radicalism, the fight against historical forgetfulness in thought and action is once again highly topical. At first glance, however, historical forgetfulness – at least in relation to the pre-modern era – hardly seems to exist: The Middle Ages, Renaissance and early modern period are experiencing a boom in novels, dramas and popular media. But here in particular, there is an urgent need for an active response to simplifications, mythifications and falsifications. The contributors to this volume show that it is essential for a critical consciousness to recognize historical difference and media filters and to reflect on their effects.

This article gives an overview of francophone African diasporic websites such as Africultures.com, africavivre.com and other digital magazines, networks and blogs that are present on different platforms. Taking recent novels, texts of liter- ary criticism, reviews and comments as examples, I analyse in what way they share in discourse about diasporic and migratory identity positions of Afropéens (‘Afropeans’) (and differ therein from other readings of the same novels). Methodologically, I draw on Stephen Greenblatt’s concepts of self-fashioning and circulation of social energy as well as on Pierre Bourdieu’s notion of the produc- tion of social capital. With respect to socially preformed discursive formation of Black people as an ostensibly homogeneous minority in the twenty-first century France, I refer to Pap Ndiaye’s ground-breaking study La condition noire from 2009 which closely analyses the complex situation of the Black migrant and post- migrant population. I focus on two narrative texts which are widely perceived both in France and on an international level: First, the autobiographically inspired novel Le Ventre de l’Atlantique (The Belly of the Atlantic) by Fatou Diome and second, Marie Ndiaye’s narrative triptych Trois femmes puissantes (Three Strong Women). Studying remarks and comments of literary criticism concern- ing these texts on francophone African diasporic websites, I raise the following questions: What relevance do these narrated characters (still) have today? To what extent do they shape the discourse of Black migrants in France? What kind of interpretation of the colonial history and context do they offer? And which emancipatory moments and decolonial strategies create a new, proper symbolic capital and, thus, add to the Imagined Community of ‘Noirs en France’ (‘Black people in France’)?

This book extends the contemporary debate on the global concept of religion, conducted in the context of religious studies, to the field of the theology of religions. In applying poststructuralist and postcolonial perspectives, it seeks to deconstruct central categories such as truth, universality, or religion, in order to contextualize them by making transparent their historical genealogy and entanglement with political, social, and scientific discourses. Further, it aims to outline new areas of thinking, which can serve as the experimental basis of an alternative, non-essentialist form of theology (of religions).

After the revolutions of 1917 and a bloody civil war, the Soviet Union was founded on December 30, 1922. It dissolved on December 21, 1991. In between lay 69 years in which it left its mark on the world – through Stalinist terror, through its victory over the armies of Hitler’s Germany, as a nuclear power in the Cold War and with Gorbachev’s policy of détente. Its legacy still weighs heavily on the post-Soviet space today. Internally, under Stalin, it brought famine, deportations, the Gulag and arbitrary executions. But at the same time, the country underwent a fundamental modernization and the first man in space was a Soviet man. Susanne Schattenberg traces the years under the Soviet star and shows how they still have an impact today.

The chapter discusses the use of photographs in research on Linguistic Landscape. Based on the observation of a widespread use of photographic documentation, the status of photographs is critically reflected. The focus lies on a reading of Susan Sontag’s ([1977] 2014) Melancholy Objects. Here, conceptions of description and documentation are questioned, as they are common for some linguistic works, especially in the field of Urban Studies. Of particular importance is the examination of the tension between realism and surrealism as well as the question of the extraction of reality. The text, which is a remix of Susan Sontag’s ([1977] 2014) thoughts, is complemented by twenty photographs that address the limits of photographic representation in the linguistic text.
© 2022 Walter de Gruyter GmbH, Berlin/Boston

Der Fokus des Bandes liegt auf Widerspruch als Gegenstandsbereich, unter den sprachliche Ausdrucksformen von Entgegensetzung, Paradoxie, Lüge und Einspruch ebenso fallen wie linguistische Methoden des Umgangs mit Widerspruch und Widersprüchlichkeiten in der sprachwissenschaftlichen Disziplinengeschichte. Dabei stellt sich die Linguistik nicht als homogene, sondern vielmehr als eine heterogene, vielseitige Disziplin dar, die es erlaubt, den Forschungsgegenstand aus verschiedenen Blickwinkeln zu betrachten; die Beitragenden präsentieren insofern verschiedene innerdisziplinäre Schwerpunkte von linguistischer Widerspruchsanalyse, darunter der Blick auf Sprachhandlungen zum Ausdruck von Widerspruch in wissenschaftlichen, historischen, (post)kolonialen, narrativen oder alltäglichen Diskursen. Es werden einzelsprachliche Untersuchungen nicht nur europäischer Sprachen vorgenommen, sondern auch die crosslinguistische Vielfalt von widerspruchsindizierenden Konstruktionen betrachtet.

“She was a poet as great as Joseph Brodsky and a human rights activist as fearless as Andrei Sakharov. Unlike Brodsky, however, she did not receive the Nobel Prize for Literature, and unlike Sakharov, she did not receive the Nobel Peace Prize. However, her name is associated with a unique event in the Soviet Union: On August 25, 1968, she and seven other young people came to Red Square to demonstrate openly against the regime – and against the suppression of the Prague Spring by tanks from the Soviet Union and other Warsaw Pact countries.”