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In premodern narratives contradictions are omnipresent – conflicting concepts, logical inconsistencies, acts of objection. In a narratological perspective ›contradiction‹ – conflicts of incompatible knowledges and narrative patterns; inconsistencies in or between speech (by narrator or characters) and action; contradictory or inconsistent information and motivation – is apt to subvert, complicate, or enrich the textual production of meaning. The project ›Contradiction as a Narrative Principle in Premodern Narrative‹ (University of Bremen) explores different types of contradictions in medieval epic and romance.


Beiträge zur Geschichte der deutschen Sprache und Literatur 139: 69–90.

DOI: 10.1515/bgsl-2017-0003

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driver

“Contradictions are an important driver of scientific practice and knowledge.”

Norman Sieroka
Afterlife of colonialism

“Contradiction comes in many different forms. None is so debilitating than when the coloniser transitions, textually not politically, to decoloniality without taking the responsibility for the afterlife of colonialism, which they continue to benefit from. Self-examination and self-interrogation of the relations of coloniality, a necessity, seem nearly impossible for the coloniser who continues to act as beneficiary, masked in the new-found language of White fragility, devoid of an ethical responsibility of the very system of White domination they claim to be against.” (Black Consciousness and the Politics of the Flesh)

Rozena Maart
decolonial scholarship

“Creating decentralizing and decolonizing scholarship on contradiction, contradictory phenomena, and contradicting processes is a challenging task.”

Kerstin Knopf
prison of difference

“‘Contradiction is the prison of difference‘ writes the French philosopher Gilles Deleuze. Worlds of Contradiction asks: how can we explain and describe the world without making it more coherent and systematic than it is?”

Michi Knecht
limits

“Resistance is a democratic right, sometimes a duty. With literature we can find models for this right and think about its limits.”

Gisela Febel