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In premodern narratives contradictions are omnipresent – conflicting concepts, logical inconsistencies, acts of objection. In a narratological perspective ›contradiction‹ – conflicts of incompatible knowledges and narrative patterns; inconsistencies in or between speech (by narrator or characters) and action; contradictory or inconsistent information and motivation – is apt to subvert, complicate, or enrich the textual production of meaning. The project ›Contradiction as a Narrative Principle in Premodern Narrative‹ (University of Bremen) explores different types of contradictions in medieval epic and romance.


Beiträge zur Geschichte der deutschen Sprache und Literatur 139: 69–90.

DOI: 10.1515/bgsl-2017-0003

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articulate

“Contradictions need to be articulated in order to exist.”

Martin Nonhoff
name contradiction

“Contradiction becomes real where someone names contradiction.”

Ingo H. Warnke
space

“According to Niklas Luhmann, space is a ‘special facility to negate contradictions’”.

Julia Lossau
relational

“At first I thought contradiction was always a relational thing; but the more I ponder it, the more I think contradiction creates relation.”

Ingo H. Warnke
Afterlife of colonialism

“Contradiction comes in many different forms. None is so debilitating than when the coloniser transitions, textually not politically, to decoloniality without taking the responsibility for the afterlife of colonialism, which they continue to benefit from. Self-examination and self-interrogation of the relations of coloniality, a necessity, seem nearly impossible for the coloniser who continues to act as beneficiary, masked in the new-found language of White fragility, devoid of an ethical responsibility of the very system of White domination they claim to be against.” (Black Consciousness and the Politics of the Flesh)

Rozena Maart