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In premodern narratives contradictions are omnipresent – conflicting concepts, logical inconsistencies, acts of objection. In a narratological perspective ›contradiction‹ – conflicts of incompatible knowledges and narrative patterns; inconsistencies in or between speech (by narrator or characters) and action; contradictory or inconsistent information and motivation – is apt to subvert, complicate, or enrich the textual production of meaning. The project ›Contradiction as a Narrative Principle in Premodern Narrative‹ (University of Bremen) explores different types of contradictions in medieval epic and romance.


Beiträge zur Geschichte der deutschen Sprache und Literatur 139: 69–90.

DOI: 10.1515/bgsl-2017-0003

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Bhabha on enlightenment and coloniality

“Homi Bhabha says about the contradiction between the ideals of the enlightenment, claims to democracy and solidarity and simultaneous colonization and ongoing coloniality: ‘That ideological tension, visible in the history of the West as a despotic power, at the very moment of the birth of democracy and modernity, has not been adequately written in a contradictory and contrapuntal discourse of tradition.’”

Kerstin Knopf
paradox

“The basis of law is not an idea as a systematic unified principle but a paradox.”

Andreas Fischer-Lescano
relational

“At first I thought contradiction was always a relational thing; but the more I ponder it, the more I think contradiction creates relation.”

Ingo H. Warnke
power and resistance

“Michel Foucault says: “Where there is power, there is resistance, and […] this resistance is never in a position of exteriority in relation to power” (History of Sexuality I, The Will to Knowledge, 1976, p. 95)”

Gisela Febel
Is contradiction eurocentric?

“Is contradiction a eurocentric concept, operational phenomenon, and instrument of power?”

Kerstin Knopf