Agentiver und Nonagentiver Widerspruch. Eine Kartographie der linguistischen Widerspruchsforschung

Agentiver und Nonagentiver Widerspruch. Eine Kartographie der linguistischen Widerspruchsforschung

Contribution

Jonas Trochemowitz

2024

Publication of the U Bremen und U Vienna international student conference »Debattieren, Opponieren, Protestieren – Interdisziplinäre Perspektiven auf sprachliche Praktiken des Widersprechens« 2023.

In ThemaTalkers (Lara Berlage, Julian Engelken, Peter Ernst, Jan Hensellek, Lara Herford, Louis Hypius, Sargis Poghosyan, An- gelina Schellin, Susanne Sophie Schmalwieser & Ingo H. Warnke) (eds.), Debattieren, Opponieren, Protestieren. Interdisziplinäre Perspektiven auf sprachliche Praktiken des Widersprechens, 66–81. Universität Bremen.

DOI:
doi.org/10.26092/elib/3137.

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DFG Research Training Group 2686: Contradiction Studies –

Constellations, Heuristics, and Concepts of the Contradictory

DFG Research Training Group 2686: Contradiction Studies –

Constellations, Heuristics, and Concepts of the Contradictory

Home > Publications > Contributions > Agentiver und Nonagentiver Widerspruch. Eine Kartographie der linguistischen Widerspruchsforschung

space

“According to Niklas Luhmann, space is a ‘special facility to negate contradictions’”.
Julia Lossau

limits

“Resistance is a democratic right, sometimes a duty. With literature we can find models for this right and think about its limits.”
Gisela Febel

city

“The city is a laboratory not only of modernity, but also of contradiction.”
Julia Lossau

ideal of a contradiction-free world

“Science has long been animated by the ideal of a contradiction-free world in which logical orders could merge with society, politics, culture and language. In the GRC Contradiction Studies we are working on ways of describing the multiplicity and complexity, the danger and beauty of our worlds that clearly go beyond concepts of freedom from contradiction.”
Michi Knecht

driver

“Contradictions are an important driver of scientific practice and knowledge.”
Norman Sieroka