Articles & Papers

This paper is about poetry as a vehicle for imparting knowledge in natural philosophy. It discusses the epistemological and cultural background against which early Greek thinkers such as Parmenides and Empedocles composed in verse, and it explores the rationale why poetry was thought to be a preferred means for transmitting important and often non-discursive knowledge about nature—in other words, how poetry was meant to make “a philosophical theme audible,” to prompt an insight that organizes a large field of experience. Much later, related assumptions find a (last) heyday in Goethe’s attempt to write a Naturgedicht in the vein of Lucretius. Even though new insights especially from classical German philosophy influenced Goethe, his reasons for writing nature poetry show striking continuities with those of his ancient peers. The paper ends with a brief look at later attempts to “make philosophical themes audible” in the context of an ever-increasing fragmentation of knowledge.

Based on the omnipresence of euphemistic talk about listening, the essay examines the network of relationships between listening and discourse. A widespread myth, in which listening is understood in isolation as a replicative action and the imponderables of listening are systematically covered up, is contrasted with the assumption that listening is language in contradiction and as such constitutive for discourse and vice versa. The question is about the possibilities of a sociolinguistics of listening and in particular about a conceptual classification of listening in the field of tension between the positivity of speech and the intentionality of listening. I speak of discourse phenomenology, without overlooking the fact that this also breaks up a scientific-historical juxtaposition of discourse analysis and phenomenology.

Bringing together memory studies with the emerging field of contradiction studies, in this article, I suggest the need for an alternative way of thinking about collective memory by juxtaposing the ideal of wholeness that necessarily underlies any group’s identity with that of the inevitable contradiction of the plurivers. I discuss the power of the Western narrative order in regard to the Haitian Revolution and examples of mnemonic disharmony in contemporary Germany and seek to illuminate the epistemic violence constitutive of this narrative order. The article therefore interrogates memory study’s epistemological foundation and the practices in which these underpinnings result. The aim is to highlight the potential of contradiction in an attempt to pluriversify responses to the past as well as future visions for the worlds we live in. Special attention is paid to the question of what it is we hope for when attempting to (scholarly) contribute to making collective memory more inclusive, and where the limitations of this might lie. The purpose of my contribution, then, is to explore the tacit imperative of harmony that often remains unchallenged in memory studies, and to propose a shift in focus, from the ways in which memory might help us understand (e.g., current clashes of identities), toward a research agenda that is considerate of its own entanglements with power, yet, at the same time, lives up to its potential to contribute to transformation.

Zeit spielt eine grundlegende Rolle im menschlichen Leben. Zu bestimmen, was ihr Wesen ausmacht, ist bekanntermassen nicht einfach – und ist vielleicht auch nicht die philosophisch interessanteste Herausforderung. Wichtiger scheint es, verschiedene Lebensbereiche zunächst auf ihre unterschiedlichen Zeitauffassungen hin zu untersuchen und sich zu fragen, wie sie sich aufeinander beziehen. Für unseren Umgang mit Zeit ist das Entscheidende: Wie lassen sich Ereignisse sinn- und taktvoll aufeinander abstimmen?

“She was a poet as great as Joseph Brodsky and a human rights activist as fearless as Andrei Sakharov. Unlike Brodsky, however, she did not receive the Nobel Prize for Literature, and unlike Sakharov, she did not receive the Nobel Peace Prize. However, her name is associated with a unique event in the Soviet Union: On August 25, 1968, she and seven other young people came to Red Square to demonstrate openly against the regime – and against the suppression of the Prague Spring by tanks from the Soviet Union and other Warsaw Pact countries.”

When calculating structural or spectroscopic properties of molecular crystals, the question arises whether it is sufficient to simulate only a single molecule or a small molecular cluster or whether the simulation of the entire crystal is indispensable. In this work we juxtapose calculations on the high-pressure structural properties of the (periodic) HCN crystal and chains of HCN molecules of finite length. We find that, in most cases, the behavior of the crystal can be reproduced by computational methods simulating only around 15 molecules. The pressure-induced lengthening of the C−H bond in HCN found in calculations on both the periodic and finite material are explained in terms of orbital interaction. Our results pave the way for a more thorough understanding of high-pressure structural properties of materials and give incentives for the design of materials that expand under pressure. In addition, they shed light on the complementarity between calculations on periodic materials and systems of finite size.

After explaining the rationale for bringing the author of The Old Drift, Namwali Serpell, and critical theorist Homi Bhabha into conversation, this interview with both of them explores some of the key themes of Serpell’s novel in relation to its wider geopolitical and historical context. Beginning with how we can understand the state of the planet in the present historical moment, the discussion expands to explore the broad context of more themes in the novel, which includes the place of gender and sexual politics, a global pandemic in a time of national and financial closures, cosmopolitanism, the space race and reverberations of the Cold War in the present, and the continued relevance, if any, of postcolonial theory, technology, revolution, and futurity.

Dealing with auditory oddities and ambiguities is not only entertaining, it is also an important driver for basic auditory research. The same acoustic stimulus can actually be perceived in different ways. We not only hear “with our ears”, but various other physical, physiological and cultural factors also play an important role. This directly gives rise to broader philosophical questions, for example on perception – and the enduring appeal of pieces of music is also based in many places on such ambiguities [13].

The chapter discusses the use of photographs in research on Linguistic Landscape. Based on the observation of a widespread use of photographic documentation, the status of photographs is critically reflected. The focus lies on a reading of Susan Sontag’s ([1977] 2014) Melancholy Objects. Here, conceptions of description and documentation are questioned, as they are common for some linguistic works, especially in the field of Urban Studies. Of particular importance is the examination of the tension between realism and surrealism as well as the question of the extraction of reality. The text, which is a remix of Susan Sontag’s ([1977] 2014) thoughts, is complemented by twenty photographs that address the limits of photographic representation in the linguistic text.
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In the face of growing populism and right-wing radicalism, the fight against historical forgetfulness in thought and action is once again highly topical. At first glance, however, historical forgetfulness – at least in relation to the pre-modern era – hardly seems to exist: The Middle Ages, Renaissance and early modern period are experiencing a boom in novels, dramas and popular media. But here in particular, there is an urgent need for an active response to simplifications, mythifications and falsifications. The contributors to this volume show that it is essential for a critical consciousness to be aware of historical difference and media filters and to reflect on their effects. In the face of growing populism and right-wing radicalism, the fight against historical forgetfulness in thought and action is once again highly topical. At first glance, however, historical forgetfulness – at least in relation to the pre-modern era – hardly seems to exist: The Middle Ages, Renaissance and early modern period are experiencing a boom in novels, dramas and popular media. But here in particular, there is an urgent need for an active response to simplifications, mythifications and falsifications. The contributors to this volume show that it is essential for a critical consciousness to recognize historical difference and media filters and to reflect on their effects.

This article gives an overview of francophone African diasporic websites such as Africultures.com, africavivre.com and other digital magazines, networks and blogs that are present on different platforms. Taking recent novels, texts of liter- ary criticism, reviews and comments as examples, I analyse in what way they share in discourse about diasporic and migratory identity positions of Afropéens (‘Afropeans’) (and differ therein from other readings of the same novels). Methodologically, I draw on Stephen Greenblatt’s concepts of self-fashioning and circulation of social energy as well as on Pierre Bourdieu’s notion of the produc- tion of social capital. With respect to socially preformed discursive formation of Black people as an ostensibly homogeneous minority in the twenty-first century France, I refer to Pap Ndiaye’s ground-breaking study La condition noire from 2009 which closely analyses the complex situation of the Black migrant and post- migrant population. I focus on two narrative texts which are widely perceived both in France and on an international level: First, the autobiographically inspired novel Le Ventre de l’Atlantique (The Belly of the Atlantic) by Fatou Diome and second, Marie Ndiaye’s narrative triptych Trois femmes puissantes (Three Strong Women). Studying remarks and comments of literary criticism concern- ing these texts on francophone African diasporic websites, I raise the following questions: What relevance do these narrated characters (still) have today? To what extent do they shape the discourse of Black migrants in France? What kind of interpretation of the colonial history and context do they offer? And which emancipatory moments and decolonial strategies create a new, proper symbolic capital and, thus, add to the Imagined Community of ‘Noirs en France’ (‘Black people in France’)?